Showing posts with label Ludmilla Popova-Wightman. Show all posts
Showing posts with label Ludmilla Popova-Wightman. Show all posts

Tuesday, May 16, 2017


Lullaby for my mother

By Blaga Dimitrova

Translated by Ludmilla Popova-Wightman

In the evening I smooth her sheets
Covered with deep wrinkles.
Her hand,
withered by giving,
pulls mine towards the night.

Half-asleep, barely able to speak,
she says in a childish voice
so naturally,
“Mommy!”
I become my mother’s mother.

A cataclysm, a reversal
Of the earth’s axis—
the poles flip over.
What was I doing? I don’t have time
for philosophical musings.

I dry her impatiently—
A skill, I've learnt from her.
“Mommy” she whispers guiltily,
remembering her naughtiness.
Cold air blows in the window.

The heating pad. The glass. The pills
I adjust the lampshade.
“Mommy, don’t go away!
I am afraid of dark! “
Who is losing her mind, she or I?

Heavy with pain and fever, crying,
she waits for me to take her 
in my arms. Two orphans cuddle
in the winter cradle.
Which am I?

Wake me up early tomorrow!
I am afraid, I’ll oversleep!
Dear Lord, is there something
I have forgotten?
Who will be late, she or I?

Mommy, my child, sleep!
Lullaby,
my baby…

There is often a reversal of roles that takes place in life when parents age and previous relationships are reversed. Thus we find the famous Bulgarian poet Blaga Dimitrova eloquently writing in her "Lullaby for My Mother" of this poignant situation. 

I have been recently reading . "I Remain in Darkness" by the famous French Novelist Annie Ernaux , an extraordinary evocation of a grown daughter’s attachment to her mother, and of both women’s strength and resiliency. It recounts Annie’s attempts first to help her mother recover from Alzheimer’s disease, and then, when that proves futile, to bear witness to the older woman’s gradual decline and her own experience as a daughter losing a beloved parent. This poem somehow seems to complement that reversal of the roles I find in in Annie’s memoir.



Saturday, July 4, 2015


BUTTERFLY ON A PIN
by Blaga Dimitrova
Translated by Ludmilla G.Popova-Wightman
You don’t know real loneliness
if you don’t know closeness.
The road to great solitude
passes through great love.
A measure of the immense
horizon of loneliness
is the embrace from which
You extricate yourself.
Imagine how many times
the narrow circle of this embrace
fits into the cosmic circle of loneliness.
you are impaled exactly in the center

a live butterfly on a pin.
Wrench yourself out! try to fly
with the pin piercing your heart.
The space confronting you is boundless.
Freedom has the salty taste of sea
                        and solitude.
Blaga Dimitrova (1922–2003) was one of Bulgaria’s most loved and celebrated poets.Blaga’s poems are intimate, subdued, thoughtful and caring. Many of her poems dwell on the scars (having lived in the communist era) she has endured in life. I chose this poem as it is indicative of her sensibility and minimalist poetics. Behind every scar there is a story. But in her poems, it is rather implied than told. Maybe the censorship required her to adopt this mode. The above poem begins and ends with scar statements. Yet the poem is inspirational as we know there are many around us who try to 'fly with the pin piercing your heart'. I loved the economy of her words in describing it.
From Scars: Poems by Blaga Dimitrova